Intergalactic Diva: The Pamela Stonebrooke Story

It's just human nature. If something exists, one of the ways we will try to explore it is by trying to have sex with it. Seeing as existence is required for this sexual exploration, I think that one of the best cases to be made for the existence of extraterrestrial life is the fact that many experiencers have claimed to have had some quite saucy encounters with the space invaders. You see my logic here? One of these experiencers is Pamela Stonebrooke, the self-titled Intergalactic Diva.

The Inside Scoop

The cover art of her album 'Alien'

Pamela's first alien experiences were of a non-sexual variety, and took place when she was somewhere between the ages of eight or nine. Her first odd experience was that of finding two strange scars on her skin. She had no idea where they had come from at the time - they had seemingly 'just showed up' - but when she grew older and more experienced she realised that they were likely the infamous 'scoop marks' left by extraterrestrial tissue sampling. She still has the scars on her shin, and she showed them to reporter Al Ridenour. These marks may have appeared without explanation, but her first consciously-recalled experience would be coming soon.

She eventually lost interest in the extraterrestrial phenomenon, and instead focused on her music career. Her talent was prodigious. Inspired by Billie Holiday, she assembled her first rock band at age sixteen - and after a tour through various cabarets and topless lounges (once she was of age, obviously) - she moved to California in 1975. Eventually, she was chosen to open the Playboy Club of Roppongi, Japan, and continued to perform with the top Japanese jazz musicians for eight years ater that. She then moved back to America to Los Angeles, where she quickly inserted herself into the local jazz scene as a platinum-haired wild child. However, she still maintained her interest in esoterica through the lens of astral travel and the New Age movement. She would later profess to be an experienced out-of-body traveller, and expressed some of her mystical leanings through her darker music throughout the ages. For example, she performed as Lilith in Exile and Incubus - both ironically named after malevolent spirits associated with sexuality. The irony will become apparent later.

It was 1994, and Pamela was working as a celebrity agent in Houston, Texas. She had not yet launched herself into her starstruck career as a jazz singer, but it seems that the space people didn't particularly care whether or not she had made it big yet. That day, she had just come home from working a long hours shift at her office, and had decided to go to sleep early. She closed her eyes and drifted off into a peaceful sleep - but when she woke she found that a scheduled return to the office would no longer be possible for her in that moment. She was curled in the foetal position in a dimly-lit metallic room 'shaped like a truncated pyramid', and the realisation quickly dawned on her that she was seemingly on board a spaceship. A line of small, grey-skinned beings walked into the room and looked at her. One of them - seemingly female - approached her and told her not to be afraid before requesting that she follow it. Perhaps realising that she had no other real options, she followed the Grey alien through a door into another room. The alien shut the door behind them and it instantly disappeared into the wall. When she turned from having watched the door vanish, she was startled to see that three female aliens of even smaller stature were looking up at her. She described them as being very frail like the other Greys, but with wispy hair like that of chemotherapy patients on their heads. They ran over to her, grabbed her arms and started calling her 'mummy'. A wave of fear suddenly crashed into her - leaving her dumbfounded with absolute terror before she suddenly found herself back in her bed. Staggering out of bed, brain still blazing with panic, she went to the bathroom to splash her face with water in an attempt to shake off what she perhaps thought was just a dream. 

The cover art of her album 'Experiencer'

As she was doing so, she had to roll up the sleeves of her kimono - and was horrified to see numerous small bruises on her arms. The reality of the experience came flooding back to her instantaneously, and she remembered when the aliens had grabbed her arms. Returning to bed, presumably with trepidation, she found herself unable to get a good night's sleep for obvious reasons. The experience continued to affect her in this way for 'nearly a year'.

Pamela would eventually agree to subject herself to hypnotic regression to try and retrieve further memories of alien contact - and she was terrified by what she uncovered. As she started to recall more and more, she came to the realisation that she had been subjected to several examinations by extraterrestrial Greys throughout the years - and that the aliens had been responsible for the four phantom pregnancies she had experienced. The aliens also showed her an apocalyptic vision of the future. She always found it 'pretty ludicrous', and actually spent the first year and a half after remembering it all feeling truly traumatised by it - but nonetheless she was able to embrace it as part of herself. She recruited an artist to draw one of the Reptilian aliens she now remembered having contact with, and even started a support group for people who had experienced similar phenomena. This support group, I presume, was what is referred to as having taken place in the Encino Women's Center in Los Angeles. An individual named Daryl Anka apparently made contact with an extraterrestrial metaphysician named Bashar in these sessions, and would relay messages of desire for intergalactic peace. Pamela told The Sun Online that she was able to overcome the embarrassment factor quite quickly and to tell her friends and family about what had happened to her. She used her musical talent - and career as a smoky-voiced jazz singer - to disperse some of the messages delivered to her support group by Bashar. Her song 'Alien' contains a segment consisting of her reading out a message from the extraterrestrial through a voice modulator. It's certainly an experience to listen to.

Scaled For Her Pleasure

A portrait of the alien entity involved with the sexual liason

It was 1998 - a few years after she had composed Alien - that her contact experiences took a turn for the erotic. She would eventually go on to have three encounters with an extraordinarily sexually talented Reptilian alien. The first of these illicit rendez-vous started when she woke from her sleep to discover herself already making love with a 'gorgeous blond man' whom she compared to a Greek god. She was shocked - seeing as she apparently never brought people home like she had evidently done that night - and eventually she concluded that she must've been having a lucid dream. She closed her eyes and relaxed, enjoying how 'comfortable' she felt with the unknown presence. When she next opened her eyes - however - this supposed dream became something far less conventional. The intercourse became more aggressive - 'the energy felt totally different' - and apparently the size of her partner increased inexplicably. The Greek god had morphed into a 6ft-tall reptilian humanoid with a vaguely alligator-like snout and scaly, snake-like skin. She realised that she was 'making love to a shape-shifting alien', and when the entity sensed that she was scared it simply whispered 'We've always been together, we love each other'. The telepathic communication she shared with the Reptilian was apparently so intense and sensual that she felt happy to simply surrender to the intensely enjoyable sexual experience. She described the Reptilian as being sly and slick, and as having a 'playful, kind of bad-boy attitude'. The orgasms she experienced as a result were like nothing she'd ever felt before - it was as if the climax extended to every single cell in her body.

She would eventually go on to appear on Coast to Coast AM with Art Bell to talk about her experiences, and would often say that she had received letters and emails from women relieved to know that someone else had experienced something similar. She regards these correspondences as opportunities to help people who might otherwise be institutionalised or even convinced that they are possessed by demons. An alien revelation that the Earth may well be nothing more than 'one big, terraformed experiment' inspired her to create an album called Experiencer - and this name would also be shared by a book that she published in late 2001. However, she chose to publish it seemingly exclusively on CD - and seeing as that medium is now effectively defunct, the book has also vanished. Her website is also now down (a reptile dysfunction, anyone?). I fear that her story may soon vanish to the ether if it is not publicised in blogs like this.

Sources

'Alien Lizard Jazz Goddess' by Al Ridenour

'Screwed by the Aliens' by Timothy Beckley and Sean Casteel

'Are You... Experienced?' by Skylaire Alfvegren for LA Weekly

'Sex and Alien Encounters' on crystalinks.com

The Baurú Incident

 It was July 23rd of 1947, and a group of surveyors were working in the countryside near Baurú in the Brazilian state of Sao Paulo when they became aware of a loud whistling noise before noticing the sudden arrival of a saucer-shaped craft. All but one of them, José C Higgins, fled the scene in terror. This is his story.

UFO Contact from Uranus 

Higgins, a topographer, watched the object descend. It was a lens-shaped craft with a surrounding flange, and was roughly 150ft in diameter with a 3ft rim and a height of 15ft, according to one source. Its body was 'crossed by tubes in several directions', and it was from said tubes that the whistling sound emanated. The UFO landed about 150ft away from the terrified topographer, and appeared to be supported by four metallic struts that seemed to bend a little.

A beautiful sci-fi depiction of the incident

His curiosity got the better of him as he walked towards the anomalous aircraft, and saw a black glass window on the craft from which two humanoid shapes seemed to be watching him. A door opened beneath the rim of the object and three entities of about 2.15 meters (7ft) in height emerged. They were wearing inflated transparent suits which covered their bodies like 'plastic bags', and there were metal boxes affixed to their backs. Beneath the bubble-like spacesuits, the creatures are visibly clad in colourful shirts and shorts which appeared to be made of paper as opposed to cloth. Their heads lacked eyebrows or any other hair, and their eyes were described as being large and round. Their legs were said to be proportionately larger than those of a human, and all three of the entities appeared to be identical. Higgins couldn't tell if they were male or female, but he claimed that they had 'a certain beauty' about them.

The entities spoke amongst themselves in an unknown language, and Higgins noticed that they chose to remain entirely in the shade except for some very brief periods. One of them pointed a tube-shaped object at him and motioned for him to enter the door of their odd aircraft. Through this door he could see another, inner door and the end of a 'pipe' which was presumably some kind of corridor.

Higgins presumably decided to try and learn something from his unique situation, and so somehow asked the entities where they came from using gestures. All the sources concur that this was what he did - how on earth (or any other planet for that matter) he did it I have no idea. On the ground, one of the aliens drew a dot surrounded by seven circles. The dot was apparently supposed to represent the Sun - which the beings referred to as 'Alamo' in their language. They pointed to the seventh circle (presumably meant to represent Uranus) and named it as 'Orque'. They gestured alternatingly to the seventh circle and their spacecraft, seeming to imply that they had come from Uranus.

Knowing how most of these alien encounter narratives tended to go, Higgins came to the (likely reasonable) conclusion that the entities may try and forcibly transport him to Uranus. As a subtle ploy, he showed them a picture of his wife and said that he either didn't want to leave her, or wished to take her on the seemingly-inevitable trip to Uranus. Falling for his subterfuge, the giants allowed her to leave the scene and he retreated into the forest beyond.

A considerably less accurate depiction

However, Higgins was not yet ready to completely leave the ostensibly-alien entities behind. His curiosity once again got the better of him and he decided to hide in some bushes and watch the humanoids for a bit. As if the situation couldn't get weirder, the entities appeared to be 'playing like children, jumping in the air and throwing enormous stones'. They played these games for roughly half an hour, and then boarded their craft once again after having 'carefully examined their surroundings'. The UFO took off with its signature whistling sound and the giants were never seen again. Except of course for when entities matching their bizarre description almost exactly were seen again in the Swedish town of Uddevalla in December of 1965 by one Richard Höglund!

'Sometimes I doubt that these things can happen. If it were not for the workers with me at the beginning, it might only have been a strange and fascinating dream' - Higgins later mused, presumably in response to questioning about the bizarre incident.

Monsters of Myth?

Legends from all across the world speak of giants constructing megalithic structures in the dark reaches of deep time. Some stories specifically refer to these massive creatures throwing giant stones between themselves to create these structures from those that they drop. Bigfoot encounters often feature the hairy entities throwing stones at alarmed witnesses, and poltergeists are famous for initiating physically-impossible showers of rocks from nowhere. It seems that the Others definitely enjoy rock-throwing for some reason or another...

Sources

I found the information required to tell this baffling tale on a wide range of different websites, including the Cosmic Jokers site which is now unfortunately entirely defunct as well as Thinkaboutit Docs and UFOArchives. 

Vengeance of the Djinn Orbs

Rosemary Ellen Guiley and Philip J. Imbrogno received a letter 'several years ago' from a woman who had grown up in Turkey. She told a harrowing story about the time when her husband and quite a few of his friends had decided to contact the djinn as something fun to pass the time. They didn’t believe that the djinn actually existed at this point, and so was just wanting to do something to mess around. They went about this by seeking out a man who was apparently capable of calling to the djinn - it would, predictably, end very badly...

Orbduction! 

Photoshopped rendition of this case

One of the husband's friends had a friend who was 'quite religious' and lived off in a nearby mountain village. This took place sometime in the late nineties on a summer evening in Istanbul - and the group of partygoers decided to visit the supposed djinn summoner.
Apparently some pre-Islamic Arabic rituals exist which can be used alongside readings from the Quran to achieve contact with the djinn and bring them into our plane of reality. The man was reluctant to use his abilities to summon the nebulous spirits forth from whatever bizarre realm they had originally emanated from, but ultimately the others - none of which really believed that the djinn were real - were eventually able to persuade him to perform the rite.
The man started chanting Islamic prayers, reading out the incantations from the Quran for several dramatic minutes before the windows were suddenly blown open by an invisible force and three 'glowing orbs' flew into the room. The orbs shone so dazzlingly bright that the men had to shield their eyes against the solar glare. These odd light-forms were also able to easily phase back and forth through the glass window panes. These alleged djinn were apparently 'very angry' that they had been interrupted by the summoning, and requested to know why the man had done so. It is unclear if they actually spoke or if this communication was telepathic and only between the djinn and the summoner. The men (plural in the source article, thus suggesting that it was possible that the djinn had actually spoken) had no idea what to say to this - and so the entities only got angrier.
The house's lights started flickering on and off, and loud banging noises could be heard on the walls and door. The carnage briefly seemed to subside when the djinn left the scene - allowing the terrified men to regain their composure. However, they hadn't realised that the one of the men had vanished during the commotion. Perhaps in denial, the other men concluded that he must've simply been frightened by the admittedly-horrifying manifestation and had chosen to run somewhere and hide there. His fellows 'looked everywhere' but were completely unable to find him.
Hours later, the solemn party heard someone crying out from their balcony. When they got there to investigate, they discovered the formerly-missing man in the foetal position, dripping with sweat and hysterical with fear. He told them that the djinn had stolen him away to their world as punishment for the unnecessary summoning. He said that the djinn's world was a 'terrible place' and that he was so utterly traumatised by the experience that he wouldn’t say anything more about it. Suffice to say, all members of the party now believe that the djinn are definitively real, and 'want nothing to do with them ever again'.

Notes on the Nature of the Djinn
It is of course interesting to note that this event would've been filed as being extraterrestrial or perhaps even demonic activity if it had occurred in a different cultural region - but seeing as it occurred in an Islamic region, it was described as being a manifestation of the djinn. Perhaps the same can be said for the aforementioned demons and extraterrestrials - what they appear as just depends on who is seeing them and what their beliefs are. It is no more correct to call these entities aliens than djinn or faeries, in my opinion.

Source 
'The Vengeful Djinn' by Rosemary Ellen Guiley and Philip J. Imbrogno