Looking up from the fog-shrouded fields of Braxton County, Tommy Hyer and Edward and Fred May saw a blinding light streak across the sky before apparently coming down on a nearby farm. It was September 12th of 1952, and the three terrified boys ran back to the May household to tell their incredible story. I imagine that most of this blog's readers will be familiar with what happened next. Accompanied by a local National Guardsman and two other children, the group ventured onto the farm - and were eventually met with one of the most bizarre beings ever recorded in the annals of UFO history: the now infamous Flatwoods Monster.
A Baffling Sequel
Twelve years later, it seemed that the Flatwoods Monster was not yet done with the human race. The strange story apparently transmitted to ufologist Gray Barker by its ill-prepared protagonists also seems to suggest that the entity involved with the 1952 events might not have been a material extraterrestrial, but rather some aberrant form from the spirit world.
Gray Barker's knowledge of the events was made public by Riley Hansard Crabb writing for the Borderline Sciences Research Foundation in 1967. Crabb had previously received a letter from the witnesses, but had not been in further contact with them until Barker investigated the case. Crabb's letter made it clear to him that the witnesses were college students who had picked up an interest in the flying saucer mystery, and had quickly concluded that the answer to said mystery lay in the metaphysical realm as opposed to outer space.
Norman Schreibstein and Ervin Vertleib lived somewhere in Pennsylvania, and they'd decided to establish a home-grown flying saucer observatory in Norman's home in early 1964. One of their first ventures into the ultraterrestrial world would yield far more dramatic results than many seekers could hope to receive after years of work. For reasons best known to themselves, they set their sights on establishing contact with the Flatwoods Monster.
Contact!
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| Drawing used for the seance |
Upon sitting in the dark for roughly fifteen minutes, a light appeared above their heads in the room. The floating orb lazily circled the room. Another light briefly appeared and disappeared. Perhaps predictably, Schreibstein's cousin promptly fled the room.
Showing boundless dedication, Vertleib reached out into the darkness. He felt a disembodied hand clasp his own and firmly shake it, as if in acknowledgement that contact had been successfully established. At this point, the group needed a way to properly communicate with the entity that was manifesting in their room - and they decided on a simple code for the floating light to follow - one circle for yes, two for no.
Crabb doesn't say who was first to break the silence, but the first question they asked was whether the entity in question was the Flatwoods Monster. They received a single circle in response, signalling 'yes'. They next asked if the entity minded if they told others about their encounter, which was answered 'no'. The entity responded in the affirmative to a question on whether it was friendly, and then offered no firm answer when asked if it was limited to appearing at Norman's house.
"If you are solid, give us some sign."
This final question was a mistake. This became clear to the group as the whole house started to violently shake, and deafening crashes were heard in the observatory room. In terror, someone flipped the room's light switch, causing the spiralling light to immediately vanish. Norman was appalled to see that his PA system and microphone had been smashed, and that the camera the group had been hoping to use to photograph the phenomenon had been thrown across the room and had had its lenses unscrewed. A model airplane had been broken as it hurtled to the floor, and it lay among chaotic heaps of books and other detritus.
Somehow undeterred by the threatening display, the boys swiftly turned the lights out again and sat around in their seance circle. The light appeared once more, floating just above Vertleib's head. He impulsively reached up and grabbed it - and was stunned to grasp a "sharp, metallic structure". This object remained in his hands for roughly ten seconds before it jerked itself away and continued its flight around the room.
The activity in the room escalated one final time, as Mark and Norman felt humanlike fingers touch their foreheads and Patricia felt one touch her throat. The floating light started to lurch around, divebombing the seance participants and being met with screams of alarm. As if satisfied by the terror it had inflicted, the light dove into the Flatwoods Monster drawing and disappeared. Norman claimed that the drawing was hot to the touch shortly afterwards. Patricia soon developed a sore throat, and Mark and Norman had terrible headaches.
Follow-Up
Three strange men showed up to Norman Schreibstein's house in September of that year. Perhaps they were curious about the letter he had sent to Crabb, or perhaps they were late to the punch in dealing with the seance. Although both Norman and Ervin were familiar with the concept of the Men in Black, Norman didn't recognise the figures at first. Instead, he assumed that the men had a genuine interest in flying saucers, and so happily allowed them access to the observatory.
Bizarrely, the men seemed largely disinterested in the books and UFO memorabilia on display throughout the seance room, but rather focused their attention on the electrical equipment in the space. They carefully examined the PA system, and inquired about the specific make of his tape recorder. Crabb pointed out that Albert Bender experienced problems with his radio in the attic that played host to many of his encounters with the Men in Black. It was as they prowled around his observatory investigating various wires and dials that Norman started to feel a cold chill scuttle down his back - he suddenly knew that these 'men' were not human beings.
Almost as if they'd sensed the shift in their host's awareness, the men turned to leave. Before they did so, however, they sternly told Norman to "get the hell out of flying saucer research if you know what's good for you" - as well as threatening him with "serious consequences" if he told anyone about their visit. It seems he later did this anyway and was entirely unharmed.
In the next few months, Schreibstein experienced four more visits from a phantasmal stranger. Crabb likened this character to a stereotypical CIA agent, and Norman described him as being "about 33" in age and being roughly 6ft in height. The man had dark skin and wore distinctive horn-rimmed glasses, as well as a strange ring on one of the fingers of his left hand. Perhaps predictably, the CIA man also warned Norman to leave flying saucer research.
The boys were apparently not frightened by these tricks, and Gray Barker claimed that they actually had "other psychic experiences", which they were unfortunately not happy to be made public at the time of Crabb's writing.
Source
Who Flys the Saucers? by Riley Hansard Crabb, 1967
